La Cetra draws on its permanent company of musicians to present concerts of varying orchestral settings. In a short period of time the ensemble earnt its excellent reputation: numerous concerts under the direction of Gustav Leonhardt, Jordi Savall, Attilio Cremonesi, Geoffrey Lancaster and René Jacobs were enthusiastically received. Invitations to festivals in Salzburg, Vienna, Paris and Prague, including the Innsbruck International Festival of Early Musik, shortly followed.
The repertoire of the orchestra stretches from French suites of the 17th Century to the great symphonic works of the early 19th Century. The homogeneous training of the strings and the high quality of the winds combine to create an ensemble sound colour that, besides the obviously necessary mastery of technique, incorporates a dynamic differentiation and tonal polish, creating the orchestra's distinct, individual signature.
La Cetra's now has a particularly active performance schedule: adjacent to its participation in dance and opera productions in the theatres of Basel, Lucern and Poissy/Paris, La Cetra increasingly receives invitations to the most significant festivals in Europe.
La Cetra's first album with works by G.A. Brescianello (2004) immediately received the ‘Diapason découverte'; the premiere recording of Concerti da camera by F. Venturini, released in May 2006, was awarded the ‘Choc du Monde'.