One of the principal aims behind the creation of the Chorus is to nurture the future stars of the Wexford opera stage.
The Wexford Festival Opera has been running since 1951, playing a central role in the cultural life of Ireland, in the world of Opera and Arts internationally.
From small and humble beginnings it has achieved world-wide success and critical acclaim by demonstrating passion, innovation and a willingness to lead audiences and artists into neglected territories to explore the rich vein of operatic work worldwide.
It all began with a gramophone recital. The great Scottish novelist and founder of the Gramophone magazine, Sir Compton Mackenzie, had been persuaded during a visit to Ireland to give a talk to the Wexford Opera Study Circle in November 1950. The Chairman of the Circle, Dr Tom Walsh struck up an excellent relationship with him and Sir Compton suggested Wexford should stage an opera in their little theatre.
A while later... Dr Tom, having studied the programmes for other festivals, discussed the idea of a local version with his friends Dr Des Ffrench, Eugene McCarthy the then owner of Whites Hotel and Seamus O'Dwyer an official in the local post office. Despite falling short of their fund-raising target, they nonetheless went ahead and ran a Festival of Music and the Arts from the 21st October to 4th November 1951, with a production of Balfe's "The Rose of Castile" on the first four nights of November. Sir Compton was present and became Festival President, a position he held until his death in 1972.
In October 2008, dreams became reality with the historic opening of The Wexford Opera House. Our Founders' legacy will live on for the next 58 years and more.
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