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There Ain’t No Sweet Man That's Worth The Salt Of My Tears

Diana Krall

There Ain’t No Sweet Man That's Worth The Salt Of My Tears

...a song and dance record
UNI028 (Universal Music Group)
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Track Time Listen
There Ain’t No Sweet Man That's Worth The Salt Of My Tears

There Ain’t No Sweet Man That's Worth The Salt Of My Tears

Soloist Diana Krall
Writer Fred Fisher
04:33 Play
Total Running Time 5 minutes
Prices shown in US Dollars

Diana Krall went into the studio with T Bone Burnett and came out with what she calls a 'song and dance record.' Here's your first chance to hear music from 'Glad Rag Doll,' Fred Fisher's There Ain't No Sweet Man That's Worth the Salt of My Tears.

This single is licensed for download from Universal.

Download includes - cover art

Diana Krall's extraordinary new album, 'Glad Rag Doll' is an exhilarating and adventurous exploration of new sounds, new instrumentation and new musicians. It stars a singer and piano player, filled with mischief, humour and a renewed sense of tenderness and intimacy.

The record reveals itself at that remarkable vanishing point in time where all music; swinging, rocking and taboo, collide with songs of longing, solace and regret. All are made new again in a vaudeville of Krall's own imagining.

It is at once a major departure and a natural progression for the gifted musician. Diana simply calls the album, 'a song and dance record'.

'We all just went in there as if the songs were written yesterday. I didn't want to make a period piece or nostalgia record,' said Krall.

In fact, these are songs that Krall has spent a lifetime contemplating. Both her childhood home and her current address are stacked with 78rpm records and song folios filled with precious and unpolished gems, songs that have not worn out their lustre from repetition.

If any of these songs could be identified as "20's or 30's music", then they are 20's or 30's songs as imagined for the 21st Century.

Working for the first time with renowned producer T Bone Burnett and engineer Mike Piersante, Krall revels in a fresh sonic playground captured in the vivid grain and deep resonant focus of analog tape. Burnett has assembled a distinguished cast of remarkable men to complement Krall's piano contribution at an 1890s Steinway upright.

From the hushed to the howling, Marc Ribot's poised and sympathetic solo guitar accompaniment contrasts beautifully with a range of surprising sounds and colors.  As ever with a Diana Krall record, her distinctive feel and unique sense of time is crucial. She has established a new and exciting rhythmic rapport with drummer Jay Bellerose and bassist Dennis Crouch that has let loose some of her most joyous piano playing heard on record to date.

Among the new elements brought into the spontaneous arrangement process are the mysterious, sometimes comedic commentaries coming from the keyboards of Keefus Green.

The album will be released in October 2012.

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