‘There is no one quite like Daniel Barenboim today in the music world' The New York Times
‘The Parisian orchestra, with its characteristic magnificent sound, responded to each gesture with dramatic tension that helped bring out the lyricism and the wonderful biting sonority' Sonorama
'I'm pleased to say the organ doesn't disappoint here either, the instrument's first entry as full and warm as one could wish for. Anyone who's heard this work in the concert hall will know that balances are problematic; there, and on record, the organ usually swamps the orchestra, but the DG engineers really got it right with this one... Barenboim's tempi are generally well judged and the Chicagoans play well for him. Those plucked strings are tautly done, and there's a surging lyricism' MusicWeb International