Related Reviews
Limelight Magazine
5 Stars
'To love Bruckner is to love this CD.'
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American Record Guide
'[The Intermezzo] is an interesting, charming movement that stands well on its own.'
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The Bruckner Journal
'...a performance that sounds absolutely wonderful...The deeply felt lyrical passages with which this music abounds, in this performance should melt the stoniest of hearts...'
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Fanfare Magazine
'The playing articulates with great subtlety the Romantic abundance of Bruckner's slow movements-the Adagio to the quintet is especially gorgeous-while not shying away from the bizarre and kinky writing in the scherzos and finales and in the Intermezzo. Linn's recording and the acoustic of the recording venue are ideal.'
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'The lucid performances by the Fitzwilliam String Quartetmake the music immediately intelligible and appealing. Joined by violist James Boyd in the Quintet, the ensemble produces a warm and radiant sound that dispels any worries of Brucknerian complexity, and even in the pensive Quartet, the playing is ingratiating and quite evocative of Schubert, a key influence in early Bruckner.'
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Herald Scotland
'What's intriguing in these outstanding performances by the Fitzwilliam Quartet with guest violist James Boyd are the myriad seedbed elements to be heard in the early String Quartet, and just how effectively the colossal Bruckner sound translates into a chamber music idiom in the Quintet.'
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'The relaxed swing they bring to the Scherzo and Trio recalls the Fifth like no previous recording...'
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4 Stars
« Deux beaux témoignages de musique pure jaillie de l'imagination d'un artiste, dont les imperfections formelles - étonnant paradoxe - confinent presque toujours à la beauté. »
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MusicWeb International
Recording of the Month: '...their hushed close to the Adagio of the Quintet is exquisite.'
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Fitzwilliam String Quartet - Bruckner: Quintet & Quartet - BBC Music Magazine

01 February 2016
BBC Music Magazine
Stephen Johnson
5 Stars

Stephen Johnson admires the Fitzwilliam's engaging Quintet

Hearing a really good performance of the Bruckner String Quintet can be a frustrating experience. It can make you realise how close this came to being a masterpiece - a strange, idiosyncratic masterpiece perhaps, but a very loveable one all the same The loud symphonic perorations to the first and fourth movements are just wrong, the Finale loses its way, the Scherzo's delicate-robust balance is tipped just a bit too much to the latter. Yet little sounds like orchestral music arranged for five strings. · 

One thing that helps is that the Fitzwilliam Quartet has been working on this music for a long time The players have wrestled with its quirks and uncovered its marvels. The first movement only really loses its grip at the very end, while the Finale keeps re-engaging, no matter how many times it may seem to drop the thread. Tender warmth radiates from page after page, dialogue between the voices emerges with keen, intimate intensity. The great Adagio - the one unqualified success of the work - is as exalted and touching as it should be, but for once one doesn't feel like going back to feast on that and ignoring the rest. It's a complete experience, flawed, but not deeply flawed, and beautifully recorded. Even the relatively early Quartet sounds more alive, less like a student exercise than usual. All round a fascinating, rewarding disc.

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Bruckner: Quintet & QuartetBruckner: Quintet & Quartet