Related Reviews
'No genuine Fauré maven will want to be without this album.'
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International Record Review
'’s a fascinating insight into an important educational workshop, and assured performances from Freeman-Attwood and Howat also make it a musical experience in its own right. The recorded sound is in the usual Linn top-drawer league.'
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'Freeman-Attwood has a warm timbre and he phrases the often simple melodic lines appealingly, catching their stylistic differences admirably...The result is a most attractive anthology, naturally balanced and recorded.'
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MusicWeb International
'An interesting and well executed première performance.'
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Buffalo News
'They take surprise twists and turns, which makes sense considering they were supposed to put students through their paces. They are pleasant, graceful and individual...'
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Sinfini Music
4 Stars
'Rightly describing the pieces as 'exquisite', [Jonathan Freeman-Attwood] brings them to life with an assured lyrical panache that left this listener lamenting the fact that Fauré never wrote a substantial solo work for trumpet during his lifetime.'
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The Times
4 Stars
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'Jonathan Freeman-Attwood's quiet, direct approach on the trumpet is just right. Recommended for Fauré lovers.'
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Jonathan Freeman-Attwood - Faure - BBC Music Magazine

01 November 2014
BBC Music Magazine
Christopher Dingle
4 Stars

Thirty-five world premiere recordings of works by Fauré played on trumpet. That clearly needs some explanation. The works are the various 'Vocalises' that Fauré wrote for the Paris Conservatoire voice exams while he was director there. These wordless miniatures were part of his attempt to reform the reaching of singing, with students sightreading from the manuscripts. They would later fall into disuse, until their first publication in 2013, edited by Roy Howat and Emily Kirkpatrick.

Howat suggests that, since these pieces test various limits of vocality, they can be appreciated more comfortably on the trumpet. Indeed, adding to a long tradition of performing vocalises on instruments, these vignettes are far from dry exercises: they embody the deceptively easygoing lyricism of Fauré's songs, making this an unexpected treasure trove of his melodic invention. It's a pity the material, played with taste and subtlety by Jonathan Freeman-Attwood and partnered by Howat's nuanced accompaniments, lasts barely 30 minutes, the remainder of the disc filled with (charming) pieces from Freeman-Attwood's earlier releases.

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