Related Reviews
Fanfare
'No genuine Fauré maven will want to be without this album.'
more >>
International Record Review
'...it’s a fascinating insight into an important educational workshop, and assured performances from Freeman-Attwood and Howat also make it a musical experience in its own right. The recorded sound is in the usual Linn top-drawer league.'
more >>
BBC Music Magazine
4 Stars
'...they embody the deceptively easygoing lyricism of Fauré's songs, making this an unexpected treasure trove of his melodic invention.'
more >>
MusicWeb International
'An interesting and well executed première performance.'
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Buffalo News
'They take surprise twists and turns, which makes sense considering they were supposed to put students through their paces. They are pleasant, graceful and individual...'
more >>
Sinfini Music
4 Stars
'Rightly describing the pieces as 'exquisite', [Jonathan Freeman-Attwood] brings them to life with an assured lyrical panache that left this listener lamenting the fact that Fauré never wrote a substantial solo work for trumpet during his lifetime.'
more >>
The Times
4 Stars
'fascinating'
more >>
AllMusic
'Jonathan Freeman-Attwood's quiet, direct approach on the trumpet is just right. Recommended for Fauré lovers.'
more >>

Jonathan Freeman-Attwood - Faure - Gramophone


24 October 2014
Gramophone
Ivan March

During 1906 Fauré composed vocalises for sight-singing tests at the Paris Conservatoire, where singing of art-song had just been made mandatory. Eventually they fell out of use, until published in 2013, which brought them to the attention of performers. For the singer, the level of difficulty varies from piece to piece. They reveal bold colours and surprisingly dramatic fanfare-like gestures. Almost certainly at Fauré's instigation, the voice professor Amadée-Louis Hettich extended the series to include contributions from contemporary composers such as Chabrier, Hahn and, for contrast, Rameau and Couperin, and a selection of these is included. All are most stylishly played by Jonathan Freeman-Attwood with either Roy Howat or, in the case of the excerpts from other composers' music, Daniel-Ben Pienaar. Freeman-Attwood has a warm timbre and he phrases the often simple melodic lines appealingly, catching their stylistic differences admirably. Both pianists give him sensitive support. The result is a most attractive anthology, naturally balanced and recorded. 


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Related Links

Daniel-Ben PienaarDaniel-Ben Pienaar
Jonathan Freeman-AttwoodJonathan Freeman-Attwood
Roy HowatRoy Howat
Faure: Lydia’s VocalisesFaure: Lydia’s Vocalises