Related Reviews
Hi-Fi News
4½ Stars
'...the Linn has more dramatic light and shade, and a natural concert hall balance.'
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The Absolute Sound
'Robin Ticciati is among the most promising conductors of his generation, and he leads the sprawling work with dramatic purpose.'
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American Record Guide
'Ticciati...shows here again that he is a young conductor to watch.'
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ConcertoNet.com
'Sa direction puissante et lyrique, engagée mais sans jamais sombrer dans les effets, fait magnifiquement respirer cette musique.'
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L'Avant Scène Opéra
«Ticciati a quelque chose à nous dire.»
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Limelight
4½ Stars
'Robin Ticciati has proven himself heir to Colin Davis with his Berlioz series on Linn and this last instalment is, if anything, even finer.'
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InfoDad
4 Stars
'Ticciati, who has shown himself an excellent interpreter of Berlioz, once again proves adept at managing his forces and exploring the intricacies and the emotional impact of the music.'
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Audio Video Club of Atlanta
'These scenes capture the essence of the love story and its tragic ending, and are all well-rendered in the present recording.'
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Pizzicato
4 Stars
„Unter der Leitung von Robin Ticciati gelingt auch hier eine technisch ausgefeilte und musikalisch tragende Interpretation...Die Gesangssolisten bereichern die Aufnahme.“
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Crescendo
4½ Stars
« De fait, il parvient, grâce à une baguette souple et expressive, à construire des climats si justes que l'oreille vit la tragédie de l'intérieur. Pour chaque épisode, le soin porté aux et dans les pupitres de l'orchestre ainsi que le choix des dynamiques et des couleurs permettent à Ticciati de développer un travail sonore et d'architecture conséquent. Le chœur présente lui aussi de belles caractéristiques : texte intelligible, intonation qui ne fait jamais défaut, homogénéité, couleurs... »
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MusicWeb International
'Robin Ticciati has a genuine feel for the music of Berlioz and there's freshness and vitality in his conducting. This is a distinguished addition to Robin Ticciati's Berlioz series. More please.'
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Classica
'On entend rarement la Grande fête chez Capulet jouée de manière aussi chorégraphique, avec la légèreté et le sens du mouvement propres au ballet.'
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MusicWeb International
Recording of the Month: 'This is a marvellous set, the finest Roméo et Juliette to appear for several years, and worthy, in very different ways, to stand alongside illustrious competition from the likes of Sir Colin Davis and Sir John Eliot Gardiner.'
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Audiophile Audition
4 Stars
'The musical conception and the performance certainly deserve your consideration: there's youthful brio in the introductory Combats - Tumulte, outstanding for me is Swedish mezzo Katija Dragojevic, whose very first utterances shape the bittersweet narrative that she unfolds and bass Alastair Miles bringing all of the command, mingled with deep regret, that should inform the role of Friar Laurence.'
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BBC Music Magazine
5 Stars
'Robin Ticciati has proved to be a special Berlioz interpreter, and offers an individual, youthful reading driven by crisp detail and translucent textures and Berlioz's vital rhythmic spring.'
more >>
Classic FM
'What makes this issue competitive is Robin Ticciati...It sounds really well.'
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Gramophone
'Ticciati from the first, explosive bars finds tauter drama than either [Gergiev or Davis]...'
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The Observer
4 Stars
'...orchestrally superb...Katija Dragojevic is a gorgeously warm mezzo.'
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The Sunday Times
Album of the Week: '...virtuosic and intense string-playing...'
more >>
The Times
'This festival performance was notable for its elegance, even restraint — a feat in itself given how much Berlioz throws into the stew.'
more >>

Robin Ticciati & SRSO - Berlioz: Romeo et Juliette - BBC Radio 3 'Record Review'


15 October 2016
BBC Radio 3 'Record Review'
Andrew McGregor

Not only does the brass have a more menacing edge to it, but there's a sense of recitative, of vocal flexibility about the way they play those phrases. The recording pulls us in closer as well, you can feel the heat being generated here. This is the one that is crackling with a sense of danger to me. The chorus is balanced more closely and more immediacy than the other two [Gergiev and Andrew Davis' recordings], and more realistically with the mezzo. All in all, an immersive experience...a similar sense of newness, freshness and engagement and the colour in Belioz's score, which makes their playing of the love scene in Romeo and Juliet intimate and sensual. And then Queen Mab scherzo is alive with Mendelssohnian delicacy.

...

You've probably guessed by now, this is the one of these three newcomers that I've enjoyed the most for its freshness and vivacity; the way Berlioz's extraordinary orchestra colours spring to life and the intimacy and detail of the Linn recording. 


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Related Links

Alastair MilesAlastair Miles
Andrew StaplesAndrew Staples
Katija DragojevicKatija Dragojevic
Robin TicciatiRobin Ticciati
Royal Swedish OrchestraRoyal Swedish Orchestra
Swedish Radio Symphony OrchestraSwedish Radio Symphony Orchestra
Berlioz: Romeo et JulietteBerlioz: Romeo et Juliette