Related Reviews
Hi-Fi News
4½ Stars
'...the Linn has more dramatic light and shade, and a natural concert hall balance.'
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The Absolute Sound
'Robin Ticciati is among the most promising conductors of his generation, and he leads the sprawling work with dramatic purpose.'
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American Record Guide
'Ticciati...shows here again that he is a young conductor to watch.'
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ConcertoNet.com
'Sa direction puissante et lyrique, engagée mais sans jamais sombrer dans les effets, fait magnifiquement respirer cette musique.'
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L'Avant Scène Opéra
«Ticciati a quelque chose à nous dire.»
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Limelight
4½ Stars
'Robin Ticciati has proven himself heir to Colin Davis with his Berlioz series on Linn and this last instalment is, if anything, even finer.'
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InfoDad
4 Stars
'Ticciati, who has shown himself an excellent interpreter of Berlioz, once again proves adept at managing his forces and exploring the intricacies and the emotional impact of the music.'
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Audio Video Club of Atlanta
'These scenes capture the essence of the love story and its tragic ending, and are all well-rendered in the present recording.'
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Pizzicato
4 Stars
„Unter der Leitung von Robin Ticciati gelingt auch hier eine technisch ausgefeilte und musikalisch tragende Interpretation...Die Gesangssolisten bereichern die Aufnahme.“
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Crescendo
4½ Stars
« De fait, il parvient, grâce à une baguette souple et expressive, à construire des climats si justes que l'oreille vit la tragédie de l'intérieur. Pour chaque épisode, le soin porté aux et dans les pupitres de l'orchestre ainsi que le choix des dynamiques et des couleurs permettent à Ticciati de développer un travail sonore et d'architecture conséquent. Le chœur présente lui aussi de belles caractéristiques : texte intelligible, intonation qui ne fait jamais défaut, homogénéité, couleurs... »
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MusicWeb International
'Robin Ticciati has a genuine feel for the music of Berlioz and there's freshness and vitality in his conducting. This is a distinguished addition to Robin Ticciati's Berlioz series. More please.'
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Classica
'On entend rarement la Grande fête chez Capulet jouée de manière aussi chorégraphique, avec la légèreté et le sens du mouvement propres au ballet.'
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MusicWeb International
Recording of the Month: 'This is a marvellous set, the finest Roméo et Juliette to appear for several years, and worthy, in very different ways, to stand alongside illustrious competition from the likes of Sir Colin Davis and Sir John Eliot Gardiner.'
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Audiophile Audition
4 Stars
'The musical conception and the performance certainly deserve your consideration: there's youthful brio in the introductory Combats - Tumulte, outstanding for me is Swedish mezzo Katija Dragojevic, whose very first utterances shape the bittersweet narrative that she unfolds and bass Alastair Miles bringing all of the command, mingled with deep regret, that should inform the role of Friar Laurence.'
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BBC Music Magazine
5 Stars
'Robin Ticciati has proved to be a special Berlioz interpreter, and offers an individual, youthful reading driven by crisp detail and translucent textures and Berlioz's vital rhythmic spring.'
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Classic FM
'What makes this issue competitive is Robin Ticciati...It sounds really well.'
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BBC Radio 3 'Record Review'
'You've probably guessed by now, this is the one of these three newcomers [compared with Gergiev and Andrew Davis's recordings] that I've enjoyed the most for its freshness and vivacity; the way Berlioz's extraordinary orchestra colours spring to life and the intimacy and detail of the Linn recording.'
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The Sunday Times
Album of the Week: '...virtuosic and intense string-playing...'
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The Observer
4 Stars
'...orchestrally superb...Katija Dragojevic is a gorgeously warm mezzo.'
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The Times
'This festival performance was notable for its elegance, even restraint — a feat in itself given how much Berlioz throws into the stew.'
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Robin Ticciati & SRSO - Berlioz: Romeo et Juliette - Gramophone


01 October 2016
Gramophone
David Allen

If Davis and the BBC Symphony lack a varnish of immediacy, Robin Ticciati and the Swedish Radio Symphony Orchestra (them again!) have it in their very core. Barely quicker by the stopwatch than Davis and slower than Gergiev, Ticciati from the first, explosive bars finds tauter drama than either. Recording live from Stockholm concerts in 2014, Linn's close microphones draw out detailing within the orchestra, and even the individual voices of the Swedish Radio Choir. The sound is familiar from Harding's Symphonie, slightly thin yet always alert and clear: almost pictorial in ‘Roméo seul'; exhilarating in the Mendelssohnian delicacy of the Queen Mab scherzo; threatening to career out of control at the Capulets' ball, with such a sense of danger that the heart races long into the love scene, as surely the young lovers' would. With more than acceptable soloists in Katija Dragojevic, Andrew Staples and Alastair Miles, those seeking a vivid, headier companion to Colin Davis would do well to try this.
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Related Links

Alastair MilesAlastair Miles
Andrew StaplesAndrew Staples
Katija DragojevicKatija Dragojevic
Robin TicciatiRobin Ticciati
Swedish Radio Symphony OrchestraSwedish Radio Symphony Orchestra
Berlioz: Romeo et JulietteBerlioz: Romeo et Juliette