Related Reviews
Bournemouth Echo
'She transforms songs you have known for years but always leaves the author's spirit intact...For Barb singing Bob is a revelation.'
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The Arts Desk
'...her clean enunciation allowing the songs' poetry to shine...'
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London Jazz News
'What a voice Barb Jungr has! It is gospel rich, with a vast vocal range, and her technique is flawless.'
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Bebop Spoken Here
'Dylan's songs are vocally invigorated by Jungr's combination of impeccable singing and the range of her emotional delivery...'
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London Jazz News
'I am impressed by the quality of the album, Jungr's singing is terrific, the band are great, the production is excellent...'
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BBC Radio Scotland 'The Jazz House'
'What a voice! Barb Jungr bringing new life into a song by Bob Dylan. Every Grain of Sand…It’s great to hear these songs sung from a totally different perspective, and with a very powerful female voice.'
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UK Vibe
4 Stars
'Above all else, the singer's love of Dylan's repertoire comes shining through...'
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This Is Cabaret
'Clearly, there is nothing this woman cannot sing. Perfectly'
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The Independent
'Jungr's extraordinary interpretations of songs such as "Every Grain of Sand" and "Sara" have seen her elected to an elite company of memorable cover artists.'
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nuvo.net
Live Review: 'She is simply, yet radiantly, a singer'
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Nightlife Exchange
'There are many highlights and surprises in this profoundly original approach to Dylan.'
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Cover Me Songs
'A dusky gem.'
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GQ
'...the best album I've heard.'
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I heart the road
'Her voice is pure and holds that languid quality that have jettisoned stars like Colbie Caillat to Lana Del Rey to the top in recent years.'
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New York Theater Examiner
'The arrangements and interpretations are unique and lovely, heart wrenching, funny and satirical'
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The Examiner
'This gal is a most unique experience you'd want to have.'
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The Times
4 Stars
'[Barb] teases out every nuance in a Dylan lyric as she reshapes it to her own ends.'
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Halesowen news
"...Barb is at her most affecting..."
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Theater Scene
Cabaret Roundup: Best of 2011: "Her performances have become iconic."
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John Shelton Ivany Top 21
'One of the greatest albums of the year.'
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NY Theatre Wire
'...Jungr's inspired interpretations of Dylan's songs make her performance electrifying.'
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The Martin Report
"...she has emerged as one part educator, one part icon"
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Times Square Chronicles
'A righteous revelation'
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Times Square Chronicles
"...Jungr doesn't just interpret 13 Dylan classics, she re-imagines them"
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Cabaret Scenes
"Jungr knocks it out of the park..."
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Woman Around Town
'Barb's enthralling'
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Cabaret Confessional
She is dazzling...a phenomenal master song interpreter and stylist.
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Wall Street Journal
"She sings with a passion and tenderness that not even Mr. Dylan himself could have imagined"
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NY Culture
"...the most significant vocal album of the 21st century thus far"
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Wolf Entertainment Guide
'It is exciting to savor what Jungr does with Dylan"
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New York Post
"Bob Dylan's songs are a-changin' when Barb Jungr tries them on."
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New York Times
"Barb Jungr delivered a fiery personal tutorial on Mr. Dylan"
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The Village Voice
Bob Dylan Gets The British Female Treatment! Fab!
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Cabaret Scenes
'At full throttle, she's enthralling.'
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The Art of the Torch Singer
'...Jungr pursues the truth in the lyrics with a spirit of adventure and a musicality that is always intriguing...'
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remotegoat.co.uk
5 Stars
'...Barb Jungr who eclipses them all.'
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Liverpool Echo
'A CD landed on my desk that I just couldn’t stop playing...'
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Liverpool Daily Post
'She is a brilliant interpreter of contemporary songs.'
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threeweeks.co.uk
'Barb Jungr was joined on stage by Simon Wallace on the keys in an absolutely captivating cover of Bob Dylan.'
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Dark Chat
4½ Stars
'No-one should be surprised by her ability to inhabit a song and turn a perennial favourite upside down and inside out with a great arrangement...'
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The Independent
4 Stars
"Except for Dylan himself on a good night, this is the best way to hear his songs."
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TimeOut London
'...one of the strongest voices in international cabaret performance.'
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The American
"What Jungr brings to the songs is a forensic skill at unpacking the poetry married to great musicianship."
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Jazzwise
"If you've yet to enter Barb Jungr's musical universe, then this paean to Dylan is just about the perfect place to start."
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Record Collector
5 Stars
"...her own voice and delivery is unique..."
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The British Theatre Guide
'...imagine a smoky, powerful, jazzy, gospel mix...'
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O's Place Jazz Magazine
'When she hits it right, Jungr strikes gold.'
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Choice Magazine
'...proving not just what gifted interpreted Barb Jungr is, but the timeless, infinitely malleable, nature of the songs themselves.'
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Herald Scotland
'Jungr sings Dylan's words quite beautifully, which the man himself, well, can't.'
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The Sunday Times
4 Stars
'...the musicianship is never less than first-rate.'
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The Independent
"her deconstructed jazz takes...allow new slants to seep into the songs"
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BBC Online
"As a Dylan interpreter, Jungr is right up there with Simone or The Byrds."
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Cabaret Confessional
'...superb interpretations that deliver every song's story in the most unexpect ways.'
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6moons.com
Blue Moon Award: '...[Barb] found new and unexplored depth.'
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Slipped Disc (Norman Lebrecht's Blog)
'Far better to sample Barb Jungr’s sophisticated re-interpretations of Dylan classics, with supple vocal and sensitive instrumentation.'
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In Tune
...warmhearted celebration
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London Jazz
...a delicious mixture of tones and colours
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Girl Singers
"...this recording takes Dylan's work to some surprising new places, and is very highly recommended."
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Record Collector
'So persuasively did Jungr inhabit the songs that...one entertained the thought that she might have understood them better than their author.'
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The Stage
'...never ceases to amaze.'
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The Telegraph
4 Stars
"Communicating real, heart-felt emotion is what this cabaret singer is all about."
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Bebop Spoken Here
...I can only describe the experience as WOW! See her for yourself.
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Newbury Today
...as good a set as we have heard
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Variety
'Wider Stateside recognition is in order.'
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Bath Chronicle
'The 15 songs on Every Grain Of Sand certainly do work, particularly a wonderful interpretation of the Oscar-winning Things Have Changed done a a hybrid Eastern European tango.'
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In Tune International
'The songs when performed by Barb, take on new depth, and I defy anyone not to feel some degree of involvement with their emotional resonance...Barb's talent deserves a wider prominence...'
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Village Voice
'[Barb] gives the Bob Dylan and Jacques Brel canons readings as deep as or deeper than the original manufacturers'.'
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The Telegraph (Live Review)
'The English chanteuse Barb Jungr has created a sanctuary for tender passion, wit and soul-searching reflection. The warm radiance of her voice makes the material softer, stiller...heartfelt tracks [such] as If Not For You (1970) and What Good Am I? (1989) [are] given such heartfelt utterance.'
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The Sunday Times
Records of the Year: #7 'Some Dylan purists had their doubts, but the chansonnier Barb Jungr's bold reworking of his songs makes a fascinating journey. If you always admired Uncle Bob, but chafed at the voice, Jungr supplies the antidote.'
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The Telegraph
Year In Music Roundup: #10 'A jazz recording of Bob Dylan songs; it shouldn't work, but in a strange way, it does.'
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Jazz Review
'She projects the lyric, has great diction and a polished tone.'
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Q Magazine
'Her imperious take on the title track almost eclipses Giant Sand's definitive version.'
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Record Buyer & Music Collector
'"Not Dark Yet" [is] creeping up on me as the most significant track on a collection that, if there's any justice in the world, ought to elevate Barb Jungr beyond mere cult celebrity.'
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HMV Choice
'This recording should both satisfy Jungr fans and surprise Dylan diehards.'
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Mojo
'The kind of voice that many more should get around to hearing.'
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Glasgow Evening Times
'Barb Jungr has an excellent voice, and there's no quibbling with her taste in Dylan.'
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Amazon.co.uk
'An intriguing outing into Dylan territory.'
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Jazz Views website
'Jungr is one of the most talented current British female singers.'
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The Sunday Times
'[A] haunting collection of 15 Dylan numbers.'
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The Times
'Jungr's sensual performance casts the songs in a fresh light.'
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Bristol Evening Post
'Barb unfolds each with devistating technique, while the band creates a chamber jazz sound that is elegant but edgy, passionate and respectful.'
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Barb Jungr - Man in the Long Black Coat Live in NY - Broadway World


13 April 2012
Broadway World
Stephen Hanks

When the British chanteuse Barb  Jungr first performed her Bob  Dylan show, Man in the Long Black Coat, at the Metropolitan Room  last October, she took the New York cabaret world by storm for a second time  (she had won a 2008 Nightlife Award as "Outstanding Cabaret Vocalist" for her  show The Men I Love), garnering breathless praise from both the New  York Times and the New York Post, and being  nominated for a 2012 "Show of the Year" Award by the Manhattan Association of  Cabarets and Clubs (MAC). Now Barb is back with Black Coat for an  extended Met Room run (until April 28), and you shouldn't think twice about  catching Jungr's fascinating interpretation of 13 classics from the Dylan  repertoire (songs that are from her two Dylan-centric CDs, Every Grain of  Sand and Man in the Long Black Coat). Barb  Jungr is much more than a Bob  Dylan tribute artist. Her show celebrating one of the world's greatest troubadours is a righteous revelation.

Attitudes about Bob  Dylan fall into three categories: millions love him, millions can't stand  him and there is that vast middle-like independents in the political  spectrum-who have always appreciated the messages in his lyrics, but have had  little tolerance for the messenger's singing style. Even the cliché "like chalk  scratching a blackboard" has been inadequate in characterizing Dylan's voice,  something the writer Joyce Carol Oates once described "as if sandpaper could  sing." I've long been one of those indifferent to Dylan because of that voice  and never thought a singer could shine a new light on his words for me. But with  rich vocals that range from a whisper to a belt, an ease with bringing a variety  of emotions to the lyrics, and intricate, accessible, and surprising  arrangements (many of which she writes herself and with partners), Jungr doesn't just interpret Dylan songs, she re-imagines them.

"I do these songs because I believe in them as pieces of great art," Jungr  related after one of her recent shows. "If the by-product of the show is that it  creates new fans of the songs, that's wonderful but it isn't my intention. I  completely get it that people may like or dislike some of the arrangements,  particularly if they have relationships with certain songs. But people have come  up to me and said they used to hate this song or that song and now they love it.  The personal relationship people in New York have to Dylan and his songs has  proved to be wonderfully alive, and his fans have been very generous to me. They  completely get that I love his work so it's like we're sharing a bond."

Jungr creates that bond through her energy and passion for the material,  which is evident from the first bars of "Tangled Up in Blue," which becomes a  jazzy, finger-snapping opener (Barb provides percussion with an egg shaker), and  during which she speaks some of the lyrics with her decidedly adorable British  accent. With her reddish-orange hair framed by blondish streaks and wearing a  colorful print dress over black leggings, on stage she looks like a mature 1960s  flower-child. She then refers to "It Ain't Me Babe" as a "mean love song," and  proceeds to offer it as an introspective ballad. During her October Met Room  run, Jungr had observed that Dylan "doesn't have a conversation with his  feminine side," which made hearing his songs sensitively delivered by a female  all the more fascinating.

Jungr also brings a cheeky sense of humor to her between-songs script  (reminiscent of Jennifer Saunders' character in the classic British sitcom Absolutely Fabulous, only with less flakiness), an ideal juxtaposition  to the intensely emotional numbers. Barb is both profound and funny when she  refers to trying to uncover the messages in Dylan's lyrics as like "peeling a  never-ending onion of oblivion." But her comedic gift of gab can sometimes send  her on wacky and charming tangents, as when she related doing a Dylan show on a  makeshift stage at a cattle market in Yorkshire, which was distinguished by "the  delicate smell of dung and disinfectant." Then she delivered "The Times They Are  a Changin'" as a lyric poem, featuring a jazzy scat break and a pulsating  keyboard interlude from her pianist, MAC-award winner Tracy  Stark (who also provides subtle background vocals throughout the set).


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Related Links

Barb JungrBarb Jungr
Every Grain of Sand: Barb Jungr Sings Bob Dylan (Fifteenth Anniversary Edition)Every Grain of Sand: Barb Jungr Sings Bob Dylan (Fifteenth Anniversary Edition)
Man In The Long Black CoatMan In The Long Black Coat