Related Reviews
Highfidelity
Virtuost spillet med en smuk tone, der dækker alle tænkelige udtryk, godt akkompagneret. Hør den!.
more >>
Clarinet Magazine
Martín has excellent rapport and coordination with pianist Negrin
more >>
Classical Source.com
Brilliant playing! Excellent sound!
more >>
BBC Music Magazine
4 Stars
an attractive tone, reliable intonation and nimble technique
more >>
The Herald
creamy tone and effortlessly fluid technique
more >>
The Scotsman
4 Stars
[a] masterful combination of liquid tone and dazzlingly articulate virtuosity
more >>
Audiophile Audition
4 Stars
his program is most attractive
more >>

Fantasia - Martin - Gramophone


06 November 2006
Gramophone
Ivan March

An attractive recital from the charismatic Spanish clarinettist Maximiliano Martin (currently principal of the SCO) made the more so by superbly clean, clear articulation, balanced by ravishingly long-breathed lyrical phrasing and the highly sympathetic partnership provided by Inocencio Negrin. Martin plays with the widest range of dynamic: the first of Lutoslawski's Dance Preludes bursts in on the listener with exhilarating point and momentum, and the remaining four are played with great diversity of character and mood. A memorable performance of Debussy's Rapsodie, luminously languorous, soaringly sensuous, is framed by two simpler miniatures of Martin's compatriot Miguel Yust Moreno, each combining a languidly seductive melody with a brilliant cadenza. The Poulenc Sonata is piquantly witty; Nielsen's early Fantasy Piece is more simplistic, a song-without-words with a lively brief finale; and the programme ends with an entertaining display piece, full of virtuosity, as Antonio Romero y Andia tests his soloist with plentiful bravura. The recording is exceptionally live and immediate, so that the players are virtually at the end of one's room.


Bookmark and Share


Related Links

Maximiliano MartinMaximiliano Martin
FantasiaFantasia