Related Reviews
Fono Forum
5 Stars
'...ist einfach beglückend.'
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Pizzicato
4 Stars
'Fliter is an outstanding performer in both of Chopin’s Concertos, and her sonorous though also poetic playing is complemented by a very transparent [and] rhetoric orchestral sound.'
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Ming Pao Weekly
‘Fliter has a superb sense of line, dynamic and rich colour variations that come naturally…’
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BBC Radio 3 'CD Review'
'Disc of the Week': 'It’s wonderful when you realize Fliter achieves so much by emphasizing Chopin’s inwardness, the intimacy...'
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AllMusic.com
4½ Stars
'...this splendid recording reaffirms her affinity with this composer and promises more excellent performances for Linn.'
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Sinfini Music
5 Stars
'And her phrasing! That is a thing of immense subtlety and beauty, as is the liquid ease of the more virtuoso passages.'
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The Sunday Times
'Fliter's beautifully considered accounts of the two Chopin concertos...reveal a sensibility of rare emotional refinement and high Romantic instincts.'
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The Telegraph
5 Stars
‘Ingrid Fliter was born to play Chopin with power and passion and is completely at one with the music's demands of agility, vim and vigour.’
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The Scotsman
4 Stars
'The solo playing is exquisite, liquidly expressive in the slow movements, firm-toned but dance-like and deliciously pliable in the faster ones.'
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MusicWeb International
‘There’s plenty of bravura and power in the outer movements without any sense of showing off and there’s poetry in the slow movements…’
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The Big Issue
‘Argentinian pianist Ingrid Fliter brings a light touch, fresh spirit and beguiling sensitivity to her new recording of Chopin piano concertos…’
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Classics Today
'The Scottish Chamber Orchestra's beautifully delicate playing perfectly highlights Fliter's authoritative and expressive performance.'
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Gramophone
Choice: 'Fliter plays with such grace and heartfelt sincerity...'
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Classic FM
Album of the Weekend: 'It's a breathtaking performance...'
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BBC Music Magazine
4 Stars
'The outer movements of both Concertos have an authoritative confidence and are often coloured with beautifully judged dynamic shading, while the slow movements, especially of No. 2, are beautifully poised and poetic.’
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The Guardian
4 Stars
‘This is very much Chopin playing in the great tradition: rich-toned, generous though never profligate with its rubato, and invested with a vast range of keyboard colour.’
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SA-CD.net
4½ Stars
‘The scintillating performances of the outer movements of these two concertos exemplify this pianist's immaculate technique and excellent musicianship.’
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Classic FM
Album of the Week: ‘It’s a breathtaking performance.'
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The West Australian
'Her dynamic control was captivating'
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Ingrid Fliter - Scottish Chamber Orchestra - Chopin: Piano Concertos - The Australian Telegraph (Live Review)


14 February 2014
The Australian Telegraph
Steve Moffatt

Her reading of the Chopin concerto was commanding and authoritative from the dramatic introductory chords of the maestoso opening movement. The slow middle movement is Chopin at his most lyrical and poignant, written when he fell in love with Constantia Gladkowska.

Fliter brought out the lovely singing qualities, though her occasional stamp on and off the pedal made for some unscored percussion effects.

This work is often criticised for its unexciting orchestral writing, but it does give a chance for the woodwinds to shine through, especially Matthew Wilkie's bassoon in the larghetto.


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