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'His elegant voice is steady and tonally consistent over his entire range; and he uses it with grace, probing skill, and impeccable enunciation.'
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James Gilchrist - Leighton & Britten - BBC Music Magazine


28 October 2010
BBC Music Magazine
Stephen Johnson
4 Stars

Too often with modern vocal works, the singer's line turns out to be the least memorable feature of the work. At worst the music can leave you wondering why these particular words are being sung at all. This is emphatically not the case with Kenneth Leighton's Earth, Sweet Earth..., even though in choosing Gerard Manley Hopkins, Leighton dares to set some of the most densely musical poetry in the English language. No matter how interesting the piano writing, the voice inevitably leads, dramatically or through mellifluous lyricism.

James Gilchrist is an impressively rounded advocate. His enunciation is superb, his melodic phrasing is always wonderfully musical; he can be seductive, but at times there's an eloquent astringency not unlike the late Philip Langridge. The final song, ‘Ribblesdale', is the culmination in more senses than one. Pianist Anna Tilbrook is a strong accompanist...Gilchrist's Winter Words is more expressively forthright than the Britten-Pears mono recording, which in some places is very welcome...So all said it's a good, if not great Winter Words, though the disc is well worth having for the Leighton alone.

 


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Anna TilbrookAnna Tilbrook
James GilchristJames Gilchrist
Leighton Earth, Sweet Earth…(laudes terrae) and Britten Winter WordsLeighton Earth, Sweet Earth…(laudes terrae) and Britten Winter Words