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Beethoven: Sonatas Op. 106 & 111

Beethoven: Sonatas Op. 106 & 111

Cover ALPHA 591
Label(s)
Genre(s)
Classical
Code
ALPHA591
Inlay available for download
Booklet available for download
  • Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": I. Allegro
    Composer(s) Ludwig Van Beethoven
    Artist(s) Filippo Gorini

    Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": I. Allegro

    10:10
    $7.20
  • Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": II. Scherzo. Assai vivace
    Composer(s) Ludwig Van Beethoven
    Artist(s) Filippo Gorini

    Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": II. Scherzo. Assai vivace

    02:54
    $2.40
  • Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": III. Adagio sostenuto
    Composer(s) Ludwig Van Beethoven
    Artist(s) Filippo Gorini

    Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": III. Adagio sostenuto

    20:55
    $12.00
  • Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": IV. Introduzione. Largo
    Composer(s) Ludwig Van Beethoven
    Artist(s) Filippo Gorini

    Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": IV. Introduzione. Largo

    12:55
    $7.20
  • Piano Sonata No. 32 in C Minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato
    Composer(s) Ludwig Van Beethoven
    Artist(s) Filippo Gorini

    Piano Sonata No. 32 in C Minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato

    08:49
    $4.80
  • Piano Sonata No. 32 in C Minor, Op. 111: II. Arieta. Adagio molto semplice cantabile
    Composer(s) Ludwig Van Beethoven
    Artist(s) Filippo Gorini

    Piano Sonata No. 32 in C Minor, Op. 111: II. Arieta. Adagio molto semplice cantabile

    17:28
    $9.60

Total running time: 73 minutes.

Album information

After his debut recording of Beethoven was acclaimed by the critics, Filippo Gorini, a student of Alfred Brendel and winner of the First Prize and Audience Prize at the 2015 Beethoven Competition in Bonn, returns with two of the composer's piano sonatas.

Here Gorini tackles the perilous Sonata no. 29, known as the ‘Hammerklavier’, which the composer himself said would pose a challenge for future generations, along with Sonata no. 32, which according to Thomas Mann represents the supreme accomplishment of, and ‘farewell’ to, sonata form.