Richard Tunnicliffe - cello
Richard Tunnicliffe is well-known as soloist and chamber musician in a repertoire spanning five centuries of music, playing cello, baroque cello and viols.
His recording of the Bach cello suites was released in 2012 on Linn. The culmination of many years of study and countless performances, it has been very warmly received by critics: The Sunday Times praised its 'clear-sighted, intelligently informed yet emotionally engaged performances' and the Independent on Sunday chose the disc as one of the 'best classical releases of 2012'.
He has also recorded lesser-known works by English composers. These include John Garth whose 6 cello concerti of 1760 (Avison Ensemble, Divine Art) were the first to have been published in England and - from more recent times - Buxton Orr (String Quartets, String Trio/Toccata Classics) and John Joubert ('Kontakion' for cello and piano, with the late John Mc Cabe/Toccata).
He is a member of the recently-formed Trio York. Since 2004 he has been a member of the renowned viol consort Fretwork whose captivating performances and many recordings have earned them admirers all over the world. He is also principal cello of the Avison Ensemble, and is regularly invited as a guest principal cello or viola-da-gamba soloist with major orchestras and conductors.
Richard teaches at the Royal College of Music, London and at CEMPR Birmingham, and he has given master-classes, seminars and lecture-recitals across the globe.
'Thoroughly engaging, demonstrating mastery of the instrument and of the chosen repertoire.'more >>All Music Guide
'...the virtues of the Avison group are once again on full display here; the players achieve a sparkling liveliness...it's beautifully done...'more >>Early Music Review
'This is very much the thinking man or women's Bach.'more >>Fidelity
' it is so beautiful, so beautiful and an almost meditative performance'more >>The Independent
Online Mention: 'The best music of 2012: Classical'MusicWeb International
'Now here's a splendid performance from Richard Tunnicliffe that is certainly worthy of very close scrutiny indeed'.more >>ResMusica
'...ravira les « intellectuels » souhaitant pouvoir observer clairement les arcanes d’une architecture dont la beauté repose dans une perfection sans fioriture inutile.'more >>Audiophile Audition
'To this listener, the whole experience is also an adventurous one, exacerbated by the rhythmical jest and uplifting moments by Tunnicliffe's skilled crafts and virtuosity.'more >>International Record Review
‘[Tunnicliffe] illuminates these masterpieces with [a] kind of lightly worn elegance and refreshing sobriety…highly recommended.’more >>The Strad
'These are weighty interpretations with a broad harmonic sweep.'more >>The Independent on Sunday
'Tunnicliffe's sound is generous and finely grained, the faster dances sharply pointed, the sarabandes dark pools of metreless beauty.'more >>Gramophone
'For those who like their Bach honest and unrefined, this is probably the most appealing recording of these pieces...'more >>Pizzicato
Astonishing review from Pizzicatomore >>BBC Music Magazine
‘These recordings have authority, character and a truly distinctive sound fabulously recorded by Linn.’more >>Allmusic
'...Tunnicliffe should be appreciated for his artistry and given a thorough hearing'.more >>Birmingham Post
'A lovely double-CD set...'more >>The Sunday Times
'His degree of interpretative intervention gauged beautifully...'more >>SA-CD.net
‘Tunnicliffe’s performances are simply magnificent.’more >>MusicWeb International
'...this new recording is a fine addition to the list of distinguished recordings of these Cello Suites.'more >>Music and Words
‘…an evocation of the natural, unadorned, almost sombre beauty he elicits in his Bach.’more >>