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Richard Tunnicliffe

Richard Tunnicliffe

Cellist and viol-player Richard Tunnicliffe has enjoyed a long and varied career at the forefront of Britain's thriving period-instrument movement.



Linn 40th Anniversary Collection
Linn 40th Anniversary Collection
Linn celebrates its 40th anniversary with a limited edition collection bursting with stand-out music 

AKD 425  

Corelli: Opus 2 & 4: Chamber Sonatas
Corelli: Opus 2 & 4: Chamber Sonatas
This marks the third recording in The Avison Ensemble's complete Corelli chamber music series. 

CKD 413  

Corelli: Opus 5: Violin Sonatas
Corelli: Opus 5: Violin Sonatas
The second in the series in which The Avison Ensemble will record Corelli's complete chamber music. 

CKD 412  

Corelli: Opus 6: Concerti Grossi
Corelli: Opus 6: Concerti Grossi
The first recording in the Avison Ensemble's collection to celebrate the chamber music of Corelli. 

CKD 411  

The Super Audio Collection Vol. 6
The Super Audio Collection Vol. 6
Includes premiere recordings, memorable debuts and new takes on popular repertoire. 

AKP 408  

J.S. Bach: Cello Suites
J.S. Bach: Cello Suites
The debut solo recording from acclaimed cellist Richard Tunnicliffe. 

CKD 396  

Vivaldi: Concerti Opus 8
Vivaldi: Concerti Opus 8
The Avison Ensemble presents an insightful performance that is brimming with energy. 

CKD 365  

Handel: Concerti Grossi Opus 6
Handel: Concerti Grossi Opus 6
The period ensemble give a fresh and insightful performance of Handel's masterpiece 

CKD 362  

Richard Tunnicliffe - cello

Richard Tunnicliffe is well-known as a soloist and chamber musician, playing cello, baroque cello and viols in a repertoire spanning five centuries of music.

His recording of the Bach cello suites was released in 2012 on Linn. The culmination of many years of study and countless performances, it has been very warmly received by critics: The Sunday Times praised its 'clear-sighted, intelligently informed yet emotionally engaged performances' and the Independent on Sunday chose the disc as one of the 'best classical releases of 2012'.

As well as a large number of chamber and orchestral works from the 17th-19th centuries, he has also recorded works by English composers. These include John Garth whose 6 cello concerti of 1760 (Avison Ensemble, Divine Art) were the first to have been published in England and - from more recent times - Buxton Orr (String Quartets, String Trio/Toccata Classics) and John Joubert ("Kontakion" for cello and piano, with the late John Mc Cabe/Toccata).

He is a member of the recently-formed Trio York who make their London debut at the LSE in January 2016. From 2004-2015 he was a member of the renowned viol consort Fretwork whose captivating performances and many recordings have earned them admirers all over the world. His duo partners include pianist Nigel Yandell, and fortepianist Maggie Cole. He is also principal cello of the Avison Ensemble, and is regularly invited as a guest principal cello or viola-da-gamba soloist with major orchestras and conductors.

Highlights of the 2016-17 season include a tour as cellist and viola-da-gamba soloist in Bach's St John Passion with the Orchestra of the Age of Enlightenment, the complete Bach cello Suites at University College Oxford and London's Kings Place, a recital at Hughes Hall College, Cambridge with Nigel Yandell and Garth's Concerto in d minor at Sage, Gateshead.

Richard teaches at the Royal College of Music, London and at CEMPR Birmingham, and he has given master-classes, seminars and lecture-recitals across the globe. For the past four years he has also been associated with Dartington International Summer School, teaching both viols and baroque cello. Following on from the success of his performance of the complete Bach Suites in 2015, in the 2016 Summer School he presents two recitals of Beethoven Sonatas with Maggie Cole.

 

Richard Tunnicliffe talks Bach
25 March 2013
live on BBC Radio 3's 'In Tune'
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Richard Tunnicliffe album launch
15 March 2012
at London's Purcell Room
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The Consort
'Triumphant'
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Limelight Magazine
'Completes their much-welcome survey of Corelli's complete published works...The continuo is varied and colourful with cello supported by harpsichord, organ and archlute, yet is not distractingly busy and the two violinists, while lean-toned, blend nicely with impeccable intonation and transparent textures that allow the interplay of Corelli's part writing to come through clearly...'
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musica Dei donum
'The op. 2 and op. 4 sonatas come off best by far. The dance rhythms are very well exposed, and the slow movements are more expressive...'
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MusicWeb International
'There seems a real sense of enjoyment in the music and in their music-making. This results in very fine performances indeed!'
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Luister
4 Stars
'Hetzijn wel kettinkjes van muzikalesieraden van zeer hoge kwaliteit,een kwaliteit die meer zit in demelodische en harmonische krachten elegantie dan in virtuositeit.Beznosiuk en zijn mensen vertolkenze met grote finesse en voelbareautoriteit....magie...'
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MusicWeb International
'The performances are immaculate...beautifully balanced...'
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Gramophone
'... classy conclusion to their distinguished Corellian project.'
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The Strad
'A fine conclusion to a tercentennial survey of the Baroque master.'
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Early Music Review
'…beauty and precision… Of all the releases in this wonderful series, this has been my favourite...'


MusicWeb International
'Thoroughly engaging, demonstrating mastery of the instrument and of the chosen repertoire.'
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All Music Guide
'...the virtues of the Avison group are once again on full display here; the players achieve a sparkling liveliness...it's beautifully done...'
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Klassik
4½ Stars
,,Überhaupt darf diese Einspielung Vorbildfunktion für die Historische Aufführungspraxis barocker Kammermusik für sich beanspruchen. Das Ensemble zeigt spürbare musikalische Energie, Spielfreude, Ausdruck und Gefühl bei einem besonders hohen Maß an instrumentaltechnischem Können...Tunnicliffe und Beznosiuk harmonieren wunderbar miteinander.''
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Early Music Review
'This is very much the thinking man or women's Bach.'
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Fidelity
' it is so beautiful, so beautiful and an almost meditative performance'
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The Independent
Online Mention: 'The best music of 2012: Classical'


MusicWeb International
'Now here's a splendid performance from Richard Tunnicliffe that is certainly worthy of very close scrutiny indeed'.
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ResMusica
'...ravira les « intellectuels » souhaitant pouvoir observer clairement les arcanes d’une architecture dont la beauté repose dans une perfection sans fioriture inutile.'
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Audiophile Audition
4 Stars
'To this listener, the whole experience is also an adventurous one, exacerbated by the rhythmical jest and uplifting moments by Tunnicliffe's skilled crafts and virtuosity.'
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International Record Review
‘[Tunnicliffe] illuminates these masterpieces with [a] kind of lightly worn elegance and refreshing sobriety…highly recommended.’
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The Strad
'These are weighty interpretations with a broad harmonic sweep.'
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The Independent on Sunday
5 Stars
'Tunnicliffe's sound is generous and finely grained, the faster dances sharply pointed, the sarabandes dark pools of metreless beauty.'
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Gramophone
'For those who like their Bach honest and unrefined, this is probably the most appealing recording of these pieces...'
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Klassik
4 Stars
,,Stilsicheres Selbstbewusstsein. Der erfahrene Brite präsentiert sich insgesamt als lyrischer starker Cellist...Das Klangbild ist präzis und bietet zunächst ein schönes Porträt dieses wohlklingenden Instruments.''
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BBC Music Magazine
4½ Stars
‘These recordings have authority, character and a truly distinctive sound fabulously recorded by Linn.’
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Allmusic
'...Tunnicliffe should be appreciated for his artistry and given a thorough hearing'.
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Pizzicato
Astonishing review from Pizzicato
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Birmingham Post
'A lovely double-CD set...'
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The Sunday Times
'His degree of interpretative intervention gauged beautifully...'
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SA-CD.net
5 Stars
‘Tunnicliffe’s performances are simply magnificent.’
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MusicWeb International
'...this new recording is a fine addition to the list of distinguished recordings of these Cello Suites.'
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Music and Words
4 Stars
‘…an evocation of the natural, unadorned, almost sombre beauty he elicits in his Bach.’
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Klassik
4½ Stars
,,einer enorm qualitätvollen, detailliert gearbeiteten Realisierung...Beznosiuk und sein harmonisches Avison Ensemble deuten Vivaldis Konzerte nobel, mit einer erstaunlichen Gelassenheit, dabei mit gesammelten Registern und plastisch musizierten Details durchaus brillierend.''
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