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Live: Mozart, Vivaldi, Bach, Bartok and Elgar

Polish Chamber Orchestra

Live: Mozart, Vivaldi, Bach, Bartok and Elgar

CKD 001 (Linn Records)
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Compact Disc

$20.00

CD Quality

FLAC 16bit 44.1kHz 323.1MB $13.00

CD Quality

ALAC 16bit 44.1kHz 328.5MB $13.00

MP3

MP3 320k 44.1kHz 159.4MB $11.00
Prices shown in US Dollars



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Tracks: Listen and Download

Format
Track Time Listen
1
Divertimento K.138

Divertimento K.138

Composer Wolfgang Amadeus Mozart
Conductor Jan Stanienda
10:59 Play $5.10
2
Concerto For Four Violins Op. 10

Concerto For Four Violins Op. 10

Composer Antonio Vivaldi
Conductor Jan Stanienda
9:15 Play $3.40
3
Violin Concerto In A Minor BWV 1041

Violin Concerto In A Minor BWV 1041

Composer Johann Sebastian Bach
Conductor Jan Stanienda
Soloist Jan Stanieda - violin
13:28 Play $5.10
4
Divertimento

Divertimento

Composer Bela Bartok
Conductor Jan Stanienda
22:32 Play $8.55
5
Introduction And Allegro

Introduction And Allegro

Composer Edward Elgar
Conductor Jan Stanienda
13:00 Play $5.10
Total Running Time 69 minutes Purchase all tracks 
$13.00 
Prices shown in US Dollars
Recorded live in the City Halls, Glasgow as part of Mayfest 1990
Download includes - cover art
Antonio Lucio Vivaldi

Antonio Lucio Vivaldi

Vivaldi is recognized as one of the greatest Baroque composers. Known mainly for composing instrumental concertos, especially for the violin, as well as sacred choral works and over 40 operas.
profile & recordings >>
Johann Sebastian Bach

Johann Sebastian Bach

Considered by many to be the supreme composer of the Baroque style, and regarded as one of the greatest composers of all time.
profile & recordings >>
Polish Chamber Orchestra

Polish Chamber Orchestra

Poland's leading chamber orchestra, directed from the violin by Jan Stanienda.
profile & recordings >>
Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart

Mozart is one of the most enduringly popular classical composers. He is responsible for over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music.
profile & recordings >>

Produced by Recording engineers: Philip Hobbs & Calum Malcolm

The Polish Chamber Orchestra, directed from the violin by Jan Stanienda, play a programme of string orchestra music in a live recording from the City Halls, Glasgow as part of the ‘Mayfest' Arts festival 1990.

The DIVERTIMENTO K.138 by Mozart which opens the concert is charmingly simple. Thought by some to be an early quartet , since only four string parts exist on the original 1772 manuscript, it is most attractive as performed here by string orchestra.

Following this there are two baroque concerti grossi; the CONCERTO FOR FOUR VIOLINS, composed c1702 when Vivaldi was only twenty two and the CONCERTO FOR VIOLIN IN A MINOR, by J S Bach. Each demonstrate the subtle interplay between tutti and soli. In the two Allegro movements Vivaldi makes use of the variety of combinations open to him with soloists actine sometimes alone, sometimes together. With only one soloist Bach is more concerned with integrating the soloist with the orchestra. In the first movement he weaves them together in free Rondo form. The final gigue-like Allegro assai also gives the solo violinist some opportunity for some virtuosic display such as the brilliant string crossing passage which decorates thew second episode.

Though separated from Bach and Vivaldi by about two centuries, Bartok's DIVERTIMENTO and Elgar's INTRODUCTION AND ALLEGRO, both owe a great deal to the concerto grosso tradition. Bartok juxtaposes the forces of string quartet and full orchestra textures achieving the most effective and violent contrasts in the second movement. For instance a poignant Lento section for the string quartet twice interrupted by ‘agitato' strings. This gives an underlying feeling of grief which perhaps mirrors his personal feelings in this turbulent wartime period.

Elgar also uses baroque-like contrast of string quartet and string orchestra and the form of the INTRODUCTION AND ALLEGRO is also reminiscent of that era. Elgar is undoubtedly a Romantic composer a fact underlined by his rich divisi for scoring strings. Diverse material ranging from harsh pizzicati to fugal writing with even a rousing tune marked ‘smiling with a sigh' are all smoothly incorporated into one flowing and integrated movement.

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