'These are infectious works, intended not to provoke but simply to delight, and in these elegantly shaped performances they do just that.' Gramophone
'...they respond to Reicha's easy-going charm with skill.' The Observer
Thalia Ensemble, whose prize-winning programme included works by Antoine Reicha, was praised by the jury for its beautiful ensemble sound, as well as the ensemble’s lively communication.
The competition is renowned for launching the careers of many notable ensembles, such as Palladian Ensemble, Profeti della Quinta and Ensemble Meridiana.
Premiered in Paris in the early nineteenth century these works were an overnight sensation, recognized across Europe as the pinnacle of their genre.
More than any other composer who wrote for winds, Reicha produced works that were hailed as worthy counterparts to the string quartet.
An experienced flautist, Reicha was able to craft quintets that successfully integrated each wind instrument, employing its unique character and technical anomalies to full effect.
As well as taking influence from his close acquaintances Haydn and Beethoven, Reicha’s melodic style is Mozartian in flavour, spiced with subtle chromatic tinges and quirky syncopations.
In addition to the quintets Reicha’s Adagio ‘pour le cor anglais’ is a fine addition to the programme.
View the booklet in full here.
About This Album
This album forms part of the Thalia
Ensemble’s prize as winners of the 2013 York
Early Music International Young Artists’
Competition. The biennial competition
for early-music ensembles takes place as
part of the York Early Music Festival and is
recognized as a major international platform
for emerging talent in the early-music world.
This recording was made at the National
Centre for Early Music, which is housed
in the converted church of St Margaret’s,
York. The NCEM offers excellent recording
facilities to musicians of all kinds. For more