Related Reviews
The Arts Desk
4 Stars
'Onomatopoeic delights and acerbic wit from top-drawer duo.'
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In Tune
'...offers something of a lustrous new most effective luscious sound for Claire..."My Ship" (Weill/Gershwin) from Broadway's 1941 "Lady In The Dark" never fails to amaze and thrill. Here in the hands of Ms. Martin it's given a superb sobering treatment as only she can deliver.'
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Blogcritics
'Time and Place is Claire Martin at the top of her game.'
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London Jazz
'...a wondrous collection of old and new songs...[with] an outstanding band.'
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Audiophile Audition
5 Stars
'The hallmark of a great Claire Martin album is always the excellent arrangements, and in combination with superb playing and Linn's magnificent sound,Time & Place does not disappoint - this may be her very best album yet.'
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Choice Magazine
'An album full of delights and surprises.'
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Folk & Acoustic Music Exchange
'...there's tons of class throughout Time and Place. Half the intrigue lies in exactly that, the blend of the genteel with the git-down, the acumen in conflating two worlds to come up with a third...'
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Daily Info, Oxford
‘Tonight's was a programme I wasn't expecting; nonetheless, I melted into its warm, soothing embrace, and I'll be dancing in the dark for a few hours yet.’
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Le BabillART
'Claire Martin créée une infusion de son magique de la musique jazz de chambre à partir d'un groupe éclectique d'auteurs-compositeurs.'
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The Sunday Times
‘She's Leaving Home is a match for Lennon and McCartney's original. Martin has never sounded more authoritative.’
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Deep Roots
'Ms. Martin's many admirers will not be surprised by the impact she makes with her cool approach, and newcomers to her art will find a reason to believe.'
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WBGO Radar
'The cabaret song [Goodbye For Now], performed with just voice and piano, is a fitting tribute to Bennett, and captures Martin's spirit at its best: she is wistfully clear-eyed and optimistic as only those who have truly lived can be.'
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Jazz History Online
'As with all of Martin's recordings, the audio quality is exceptional...'
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The Guardian
4 Stars
'[Claire] has rarely sounded so commanding and moving...'
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BBC Radio 2 'Clare Teal'
'gorgeous album'
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Bop-N-Jazz
5 Stars
'Claire Martin is that rare vocal artist never afraid to push the lyrical envelope!'
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Jazzwise
4 Stars
'Time and Place is one of those rare things: an album of standouts...Bennett's arrangement of album opener ‘My Ship'...is a thing of unfathomable beauty...'
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Mojo
4 Stars
'British Jazz's First Lady innately personalises the songs of Kurt Weill, David Bowie, Thelonious Monk, Richard Rodney Bennett and others.'
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About.com
'Martin's work here is exemplary: rich, romantic, fervent and classy.'
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All About Jazz
4½ Stars
'Few vocalists are as elegant and eloquent as Claire Martin...she's one of the crown jewels of the jazz world.'
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Claire Martin - Time & Place - BebopSpokenHere (LIVE REVIEW)


23 September 2014
BebopSpokenHere
Lance

I'd never heard a cello quartet and in truth I haven't heard that many solo cellists in recent years. What a sheltered life I've led! So, given my misspent senior years, how would tonight pan out? Well I guess there were others with reservations about this concert as Hall Two was sparsely populated and normally a Claire Martin gig pulls the punters - deservedly so as there are few British jazz singers of her calibre.

Last night at Sage Gateshead was superb and so was Claire, cellos notwithstanding, she gave a professional performance that clarified her position as numero uno.

My Ship (Kurt Weill?) isn't heard as often as most standards - it should be, providing the singer can bring the feeling to it that Ms Martin does! Now I know why we don't hear it that often! Too Much in Love to Care (inspired by Carmen McRae); Night and Day (James arranged this one and also played bass); one of the less hackneyed songs from Porgy and Bess, My Man's Gone and a knock-out version of Cole Porter's Let's Do It. Just how many verses did Porter write in this lyric? I'm sure I've heard hundreds of different ones! Makin' Whoopee complete with the verse was another delight (the cellos played a snatch of the Bridal March!) A Geoffrey Keezer arrangement of Like a Feather Falls (I think); Bowie's The Man Who Sold The World and Carly Simon's You're So Vain meant our cup was overflowing and there was still more to come!

A tribute to Frank (he'd have been 100 next year) with All the Way; 'Round Midnight; Two Grey Rooms; Joni's Lost For Words; She's Leaving Home (one of the better Beatle numbers) by this time I'd stopped taking notes and instead just let the sound of four cellos and a voice envelop me. The aforementioned violoncelli had a couple of features sans vocal and sounded good.
A grand evening.


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Montpellier Cello QuartetMontpellier Cello Quartet
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