Related Reviews
VdGSA Journal
'Brilliant...the performances by Trio Sonnerie are virtuoso and always supremely tasteful.'
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BBC Music Magazine
'Huggett's playing is pliant and effortless, her distinctive sound very much the ensemble's hallmark.'
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'The Trio is impeccably stylish...a highly successful album, both for those who appreciate French baroque viol music, and as a gift for someone completely unfamiliar with it.'
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4 Stars
,,Die Interpretation des Trios istschön, elegant und insgesamt doch sehr schlicht gehalten.''
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'It is a work darker in character, as was its creator by all accounts, stately and imposing but played here with vibrancy.'
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The Irish Times
5 Stars
'This is a delight from start to finish.'
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98.7 WFMT
4½ Stars
'Highly nuanced performances.'
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'a welcome return.'
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'C'est donc une production qui nous fait vivre la musique française d'une manière bien plus grave et sombre qu'à l'accoutumée, ce qui devrait la hisser d'emblée au statut de reference.'
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MusicWeb International
'The quality of the music, performance and recording all practically guarantee frequent returns.'
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BBC 3 Radio - CD Review
'A real treat'
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International Record Review
'It is both a privilege and utter pleasure to share in not only truly lovely music-making but also such intriguing and eminently worthwhile music.'
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4½ Stars
'Trio Sonnerie catches the quirky quality of these to a T.'
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Musical Pointers
'riveting, original music presented with scholarship and given enduring vitality by Sonnerie.'
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Trio Sonnerie - La gamme - La Folia

19 November 2013
La Folia
Grant Chu

Marais' entire 1723 publication appears: The four-section La Gamme, the Sonate à la Marésienne and the chaconne Sonnerie de Sainte Geneviève du Mont de Paris built upon a mesmerizing D-F-E bass line. Both La Gamme and the Sonate are relatively large pieces for those used to Marais' suites. Sonnerie portrays a town's inhabitants starting their day as bells toll. La Gamme explores paths as it climbs through many keys. Huggett sits out the ‘Forqueray' wherein Benjamin and Johnstone vary solos and duets (‘La Laborde', ‘La Bellmont' and ‘La Portugaise' are harpsichord solos, ‘La Forqueray', ‘La Cottin' and ‘La Couperin' are duets). The combinations sustain interest.
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