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Anna Besson

Anna Besson

Anna Besson
Flute

Anna Besson is widely recognised for her mastery of both the modern and the early flute.

Genre
Classical
    Biography

    Winner of the Cziffra Foundation's annual auditions, Anna Besson studied modern and early flutes at the Conservatoires Supérieurs de Musique de Paris and Geneva. As an active and versatile performer, Anna has spent several years developing her experience as a soloist and orchestral musician within ensembles such as orchestre of Opéra de Paris, La Chambre Philharmonique, Le Concert Spirituel, Insula Orchestra, Le Concert d'Astrée, Orfeo 55, La Grande Ecurie et la Chambre du Roi, Insula Orchestra and as a founding member of quartet Nevermind. She has also played in such prestigious concert halls and festivals as Boston Early Music Festival, Utrecht Early Music Festival, MA Festival Bruges, Salzburger Festspiele, Royaumont, Via Staelle, Festival Mezzo, Barbican Center, Melbourne Recital Center, Hamburg Philharmony, Opera de Paris, etc.

    As a founding member of a nocte temporis (dir. Reinoud Van Mechelen), Anna searches for ways to use her music to transcend the 18th- and 19th-century chamber music repertoire with flute. "Erbarme dich", their début CD on the Alpha Classics label, has been released to critical acclaim (CHOC de Classica, five Diapasons, Price Caecilia) and features JS Bach works for tenor and traverso. As a soloist, her discography includes Telemann's « Concerto for traverso and recorder » with Erik Bosgraaf (Brilliant classics), Molter's « Concerto for traverso in D major » with Die Kölner Akademie (CPO), « The Dubhlinn Gardens » -18th Century Irish music with a nocte temporis (Alpha), Telemann's « Parisian Quartets » with quartet Nevermind (Alpha Classics) and next fall will be released her first solo album for romantic flute with fortepianist Olga Pashchenko featuring works by Beethoven, Kuhlau, Doppler and Walckiers (Alpha). In addition, passionate about traditional music and dance, the intense focus on the Irish flute leads her to make researches about Irish repertoire of the 18th- and 19th-century.

    Equally at home on the traverso, modern flute and romantic flute, Anna is regularly invited to give masterclasses in France and abroad.

    Albums