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Haydn 2032, Vol. 5: L'homme de génie

Haydn 2032, Vol. 5: L'homme de génie

Cover ALPHA 676
Label(s)
Genre(s)
Classical
Code
ALPHA676
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Booklet available for download

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$22.00
  • Symphony No. 80 in D Minor, Hob. I:80: I. Allegro spiritoso
    Composer(s) Franz Joseph Haydn
    Artist(s) Giovanni Antonini Kammerorchester Basel

    Symphony No. 80 in D Minor, Hob. I:80: I. Allegro spiritoso

    05:00
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  • Symphony No. 80 in D Minor, Hob. I:80: II. Adagio
    Composer(s) Franz Joseph Haydn
    Artist(s) Giovanni Antonini Kammerorchester Basel

    Symphony No. 80 in D Minor, Hob. I:80: II. Adagio

    08:08
    $3.40
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  • Symphony No. 80 in D Minor, Hob. I:80: III. Menuet - Trio
    Composer(s) Franz Joseph Haydn
    Artist(s) Giovanni Antonini Kammerorchester Basel

    Symphony No. 80 in D Minor, Hob. I:80: III. Menuet - Trio

    02:35
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  • Symphony No. 80 in D Minor, Hob. I:80: IV. Finale (Presto)
    Composer(s) Franz Joseph Haydn
    Artist(s) Giovanni Antonini Kammerorchester Basel

    Symphony No. 80 in D Minor, Hob. I:80: IV. Finale (Presto)

    07:26
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  • Symphony No. 81 in G Major, Hob. I:81: I. Vivace
    Composer(s) Franz Joseph Haydn
    Artist(s) Giovanni Antonini Kammerorchester Basel

    Symphony No. 81 in G Major, Hob. I:81: I. Vivace

    09:12
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  • Symphony No. 81 in G Major, Hob. I:81: II. Andante
    Composer(s) Franz Joseph Haydn
    Artist(s) Giovanni Antonini Kammerorchester Basel

    Symphony No. 81 in G Major, Hob. I:81: II. Andante

    06:45
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  • Symphony No. 81 in G Major, Hob. I:81: III. Menuet (Allegreto) - Trio
    Composer(s) Franz Joseph Haydn
    Artist(s) Giovanni Antonini Kammerorchester Basel

    Symphony No. 81 in G Major, Hob. I:81: III. Menuet (Allegreto) - Trio

    03:00
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  • Symphony No. 81 in G Major, Hob. I:81: IV. Finale (Allegro, ma non troppo)
    Composer(s) Franz Joseph Haydn
    Artist(s) Giovanni Antonini Kammerorchester Basel

    Symphony No. 81 in G Major, Hob. I:81: IV. Finale (Allegro, ma non troppo)

    04:15
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  • Symphony in C Minor, VB 142: I. Larghetto - Allegro
    Composer(s) Joseph Martin Kraus
    Artist(s) Giovanni Antonini Kammerorchester Basel

    Symphony in C Minor, VB 142: I. Larghetto - Allegro

    09:20
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  • Symphony in C Minor, VB 142: II. Andante
    Composer(s) Joseph Martin Kraus
    Artist(s) Giovanni Antonini Kammerorchester Basel

    Symphony in C Minor, VB 142: II. Andante

    04:50
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  • Symphony in C Minor, VB 142: III. Allegro assai
    Composer(s) Joseph Martin Kraus
    Artist(s) Giovanni Antonini Kammerorchester Basel

    Symphony in C Minor, VB 142: III. Allegro assai

    05:43
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  • Symphony No. 19 in D Major, Hob. I:19: I. Allegro molto
    Composer(s) Franz Joseph Haydn
    Artist(s) Giovanni Antonini Kammerorchester Basel

    Symphony No. 19 in D Major, Hob. I:19: I. Allegro molto

    05:14
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  • Symphony No. 19 in D Major, Hob. I:19: II. Andante
    Composer(s) Franz Joseph Haydn
    Artist(s) Giovanni Antonini Kammerorchester Basel

    Symphony No. 19 in D Major, Hob. I:19: II. Andante

    04:16
    $2.30
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  • Symphony No. 19 in D Major, Hob. I:19: III. Presto
    Composer(s) Franz Joseph Haydn
    Artist(s) Giovanni Antonini Kammerorchester Basel

    Symphony No. 19 in D Major, Hob. I:19: III. Presto

    02:41
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Total running time: 78 minutes.

    Album information

    The fifth volume pairs Symphonies Nos. 80, 81 and 19 with the Symphony in C minor by Joseph Martin Kraus.

    Haydn2032, the ambitious project of recording the complete symphonies of Haydn, has been placed from the start under the artistic direction of Giovanni Antonini, with two ensembles, Il Giardino Armonico, which made the first four volumes, and the Kammerochester Basel, to which this and the next two are assigned.

    Another characteristic of the edition is that each time Haydn is set in perspective with another composer; here it is Joseph Martin Kraus (1756-92): ‘Kraus was the first man of genius that I met. Why did he have to die? It is an irreparable loss for our art. The Symphony in C minor he wrote in Vienna specially for me is a work which will be considered a masterpiece in every century’, said Haydn in 1797.

    Though he long remained forgotten after his death, Kraus made an active contribution to the movement of poetic renewal called ‘Sturm und Drang’ or ‘Geniezeit’ (time of genius) because such artists as the young Goethe broke free of all tradition to follow their hearts alone. When Haydn called Kraus homme de génie, in French, he probably had this context in mind. The two composers had met in Vienna in 1783.