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Monferrato: Salve Regina

Monferrato: Salve Regina

Artist
Paulin Bündgen
Cover RIC405
Label(s)
Genre(s)
Classical
Code
RIC405
Inlay available for download
Booklet available for download
Buy the album
Price
$22.00
  • Sic ergo Jesu de Sacramento
    Composer(s) Natale Monferrato
    Artist(s) Paulin Bündgen Ensemble Céladon

    Sic ergo Jesu de Sacramento

    06:02
    $2.30
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  • Ad sonos pro quotlibet Sancto
    Composer(s) Natale Monferrato
    Artist(s) Paulin Bündgen Ensemble Céladon

    Ad sonos pro quotlibet Sancto

    07:54
    $3.40
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  • Regina Cæli
    Composer(s) Natale Monferrato
    Artist(s) Paulin Bündgen Ensemble Céladon

    Regina Cæli

    04:40
    $2.30
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  • Jubilate Deo de Beata Maria Virgine
    Composer(s) Natale Monferrato
    Artist(s) Paulin Bündgen Ensemble Céladon

    Jubilate Deo de Beata Maria Virgine

    04:13
    $2.30
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  • Salve Regina
    Composer(s) Natale Monferrato
    Artist(s) Paulin Bündgen Ensemble Céladon

    Salve Regina

    13:15
    $4.60
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  • Vigila mortalis in omni tempore
    Composer(s) Natale Monferrato
    Artist(s) Paulin Bündgen Ensemble Céladon

    Vigila mortalis in omni tempore

    03:52
    $2.30
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  • Propera Domine de Sacramento
    Composer(s) Natale Monferrato
    Artist(s) Paulin Bündgen Ensemble Céladon

    Propera Domine de Sacramento

    07:11
    $3.40
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  • Convenite terrigenæ de Beata M. Virgine
    Composer(s) Natale Monferrato
    Artist(s) Paulin Bündgen Ensemble Céladon

    Convenite terrigenæ de Beata M. Virgine

    08:44
    $3.40
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  • Clamo ad te de Beata Maria Virgine
    Composer(s) Natale Monferrato
    Artist(s) Paulin Bündgen Ensemble Céladon

    Clamo ad te de Beata Maria Virgine

    06:20
    $2.30
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Total running time: 62 minutes.

    Album information

    This world premiere recording blazes the trail for discovery of an undeservedly neglected composer: Natale Monferrato (1610-85).

    Of those composers who held the highest positions at St Mark’s basilica in Venice, Monferrato is manifestly one of the most thoroughly forgotten nowadays. After working with the leading musicians of this prestigious institution, he succeeded Francesco Cavalli as maestro di cappella in 1676.

    His output, consisting exclusively of sacred music, includes some twenty collections published between 1647 and 1681. Although he wrote a great deal of polyphonic music, he also produced three collections of Motetti a voce sola. Most unusually, these three books accord an important place to compositions for the often neglected alto voice. They are so voluminous that only the Libro Terzo of 1666 was used for this recording. The motets are divided into varied and contrasted sections that range from the spirit of recitative to that of the aria, using very diverse forms in a manner that is bound to remind us of the models of opera as it developed in Venice from 1637 onwards.