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Virtuoso in the Making - Biber

Virtuoso in the Making - Biber

Artist
Virtuoso in the Making - Biber
Label(s)
Genre(s)
Classical
Code
CKD 195
  • Pastorella
    Composer(s) Heinrich Ignaz Franz von Biber
    Artist(s) Kati Debretzeni - violin, Penelope Spencer - violin, Alison McGillivray - viola da gamba, violone, Adam Woolf - trombone, Matthew Wadsworth - theorbo, baroque lute, Robert Howarth - harpsichord, organ

    Pastorella

    05:05
    $3.40
  • Sonata in E Major - <i>Adagio</i>
    Composer(s) Heinrich Ignaz Franz von Biber
    Artist(s) Kati Debretzeni - violin, Penelope Spencer - violin, Alison McGillivray - viola da gamba, violone, Adam Woolf - trombone, Matthew Wadsworth - theorbo, baroque lute, Robert Howarth - harpsichord, organ

    Sonata in E Major - Adagio

    04:48
    $1.70
  • Sonata in E Major - Aria & Variation: <i>Adagio</i>
    Composer(s) Heinrich Ignaz Franz von Biber
    Artist(s) Kati Debretzeni - violin, Penelope Spencer - violin, Alison McGillivray - viola da gamba, violone, Adam Woolf - trombone, Matthew Wadsworth - theorbo, baroque lute, Robert Howarth - harpsichord, organ

    Sonata in E Major - Aria & Variation: Adagio

    06:32
    $3.40
  • Sonata à 3, per 2 Violini e Trombone
    Composer(s) Heinrich Ignaz Franz von Biber (poss. A Bertali)
    Artist(s) Kati Debretzeni - violin, Penelope Spencer - violin, Alison McGillivray - viola da gamba, violone, Adam Woolf - trombone, Matthew Wadsworth - theorbo, baroque lute, Robert Howarth - harpsichord, organ

    Sonata à 3, per 2 Violini e Trombone

    06:34
    $3.40
  • Fantasia
    Composer(s) Heinrich Ignaz Franz von Biber
    Artist(s) Kati Debretzeni - violin, Penelope Spencer - violin, Alison McGillivray - viola da gamba, violone, Adam Woolf - trombone, Matthew Wadsworth - theorbo, baroque lute, Robert Howarth - harpsichord, organ

    Fantasia

    04:36
    $1.70
  • Fantasia - Gigue & Variation: <i>Minuet</i>
    Composer(s) Heinrich Ignaz Franz von Biber
    Artist(s) Kati Debretzeni - violin, Penelope Spencer - violin, Alison McGillivray - viola da gamba, violone, Adam Woolf - trombone, Matthew Wadsworth - theorbo, baroque lute, Robert Howarth - harpsichord, organ

    Fantasia - Gigue & Variation: Minuet

    02:14
    $1.70
  • Passacaglia for solo lute
    Composer(s) Heinrich Ignaz Franz von Biber
    Artist(s) Matthew Wadsworth - baroque lute

    Passacaglia for solo lute

    07:34
    $3.40
  • Pastorella à 2 Violini
    Composer(s) Johann Heinrich Schmelzer
    Artist(s) Kati Debretzeni - violin, Penelope Spencer - violin, Alison McGillivray - viola da gamba, violone, Adam Woolf - trombone, Matthew Wadsworth - theorbo, baroque lute, Robert Howarth - harpsichord, organ

    Pastorella à 2 Violini

    04:02
    $1.70
  • Sonata in C Minor
    Composer(s) Heinrich Ignaz Franz von Biber
    Artist(s) Kati Debretzeni - violin, Penelope Spencer - violin, Alison McGillivray - viola da gamba, violone, Adam Woolf - trombone, Matthew Wadsworth - theorbo, baroque lute, Robert Howarth - harpsichord, organ

    Sonata in C Minor

    12:51
    $5.10
  • Sonata in A Major - <i>Adagio/Presto</i>
    Composer(s) Heinrich Ignaz Franz von Biber
    Artist(s) Kati Debretzeni - violin, Penelope Spencer - violin, Alison McGillivray - viola da gamba, violone, Adam Woolf - trombone, Matthew Wadsworth - theorbo, baroque lute, Robert Howarth - harpsichord, organ

    Sonata in A Major - Adagio/Presto

    05:32
    $3.40
  • Sonata in A Major - <i>Aria e Variation</i>
    Composer(s) Heinrich Ignaz Franz von Biber
    Artist(s) Kati Debretzeni - violin, Penelope Spencer - violin, Alison McGillivray - viola da gamba, violone, Adam Woolf - trombone, Matthew Wadsworth - theorbo, baroque lute, Robert Howarth - harpsichord, organ

    Sonata in A Major - Aria e Variation

    07:25
    $3.40

Total running time: 67 minutes.

Album information

Baroque ensemble Ricordo's debut album with Linn Records which received rave reviews.

Heinrich Ignaz Franz von Biber's music is amazingly different from the more commonly heard baroque style, definitely far more fanciful. The nature of his compositions is essentially extreme improvisation on paper, free and unpredictable explorations of themes or just abstract fantasies

Ricordo play their programmes entirely from memory in order to free themselves from the printed page and to enhance communication between themselves and the audience. "Ricordo" is the Italian word for "Memory".