Mahler: Symphonie No. 4

Mahler: Symphonie No. 4

Mahler: Symphonie No. 4
Label(s)
Code
CKD 438
Inlay available for download
Booklet available for download
  • Prelude a l'apres-midi d'un faune
    Composer(s) Claude Debussy
    Artist(s) Trevor Pinnock Royal Academy of Music SoloistsEnsemble

    Prelude a l'apres-midi d'un faune

    10:39
    $7.20
  • Symphonie No. 4 - I. Bedachtig, nicht eilen
    Composer(s) Gustav Mahler
    Artist(s) Trevor Pinnock Royal Academy of Music Soloists Ensemble

    Symphonie No. 4 - I. Bedachtig, nicht eilen

    15:59
    $9.60
  • Symphonie No. 4 - II. In gemachlicher Bewegung, ohne Hast
    Composer(s) Gustav Mahler
    Artist(s) Trevor Pinnock Royal Academy of Music Soloists Ensemble

    Symphonie No. 4 - II. In gemachlicher Bewegung, ohne Hast

    08:53
    $4.80
  • Symphonie No. 4 - III. Ruhevoll, poco adagio
    Composer(s) Gustav Mahler
    Artist(s) Trevor Pinnock Royal Academy of Music Soloists Ensemble

    Symphonie No. 4 - III. Ruhevoll, poco adagio

    19:39
    $9.60
  • Symphonie No. 4 - IV. Sehr behaglich
    Composer(s) Gustav Mahler
    Artist(s) Trevor Pinnock Royal Academy of Music Soloists Ensemble

    Symphonie No. 4 - IV. Sehr behaglich

    09:12
    $4.80

Total running time: 64 minutes.

Album information

Trevor Pinnock, conducts the Royal Academy of Music Soloists Ensemble in revealing chamber arrangements of Mahler's most frequently performed symphony and Debussy's Prélude à l'après-midi d'un faune, on its debut recording for Linn. 

Arranged for Schoenberg's 1918 Society for Private Musical Performances, these reductions were designed to highlight the fresh perspective a stripped-back orchestration could offer the listener. With this recording, Pinnock and the Academy launch a series of performances and recordings which are retrospectively reigniting Schoenberg's vision of performing chamber reductions of symphonic repertoire, including newly commissioned arrangements for this series.

Erwin Stein's visionary transformation of Mahler's neo-classicist symphony is for fifteen players and soprano (Sonia Grane). A Mahler symphony of more modest proportions, it lends itself perfectly to a chamber arrangement. Benno Sachs' re-orchestration of Prélude à l'après-midi d'un faune retains many of the sounds of Debussy's original, using the span of the piano to fill out gaps in the texture, and the harmonium to sustain missing parts in the winds, additions which add much interest and afford a new coherence and sensuality to the melodic line.